schindler's list 001 BSXCD 9103

I put this release in the classical category as the tracks are wonderful duets of a husband and wife team on violin (Hedman) and piano (Redfeld) as well as three selections featuring clarinet (Foster) and trumpet (Washburn) also with Redfeld on the piano. John Williams music translates very nicely into this chamber music style, something that can’t be said of other composers. I certainly applaud BSX for continuing this unofficial series of young composers in a most intimate setting. In my opinion I feel that the listener is being exposed to chamber music and it will encourage them to seek out additional material. On this particular CD some of the selections are arranged by Williams, others by Redfeld, and some are Williams arrangements that have been modified by Redfeld.

There isn’t a nicer way to listen to Schindler’s List than in a duet with piano and violin of not only the main title from the film but also the tracks “Jewish Town” and “Remembrances.” This arrangement comes from John Williams and is performed by Hedman and Redfield. The violin offers the melody (voice) and the piano the harmony making for an effective arrangement). A very pleasant way to listen to fifteen minutes of Schindler’s List. 

In The Terminal: “Viktor’s Tale” Donald Foster, clarinetist of John Williams, is featured in a reprise of his solo in the film. Talk about a catchy theme this is one that you’ll remember once you’ve heard it. Again in this arrangement the clarinet provides the melody (voice) and the harmony comes from the piano. Monsignor’s “Main Theme” features the fine trumpet of David Washburn in a track where the melody is shared with the piano as each offer harmony. This is also true of the “Main Theme” from JFK. Both of the trumpet solos are of the proud and majestic type, what you might expect from a trumpet. One of my favorites on the CD is “End Credit” from Dracula. Both share the melody in one of the better Gothic romantic themes ever. This reviewer thinks of a raucous fast paced arrangement of Fiddler on the Roof  but to my surprise it is somewhat refrained and very nice to listen to.

I can find no fault at all with any aspect of this recording except for a bit of a couple of the digital images beginning to break up. The sound recording and mastering, liner notes, and selection of material are all top notch. This would be a nice selection to your collection. Give BSX a gold star for continuing on this fine series. Recommended.

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